Teens

From the #1 New York Times bestselling author of Just for the Summer comes a playful yet deeply emotional romance where one date is all it takes for two people to know they're perfect for each other . . . until one of them moves 2,000 miles away the next day.

There's no such thing as a perfect guy, but Xavier Rush comes disastrously close. A gorgeous veterinarian giving Greek god vibes--all while cuddling a tiny kitten? Immediate yes. That is until Xavier opens his mouth and proves that even sculpted gods can say the absolute wrong thing. Like, really wrong. Of course, there's nothing Samantha loves more than proving an asshole wrong . . . unless, of course, he can admit he made a mistake.

But after one incredible and seemingly endless date, Samantha is forced to admit the truth, that her family is in crisis and any kind of relationship would be impossible. Samantha begs Xavier to forget her. To remember their night together as a perfect moment, as crushing as that may be. Only no amount of distance or time is enough to forget what's between them. And the only thing better than one single perfect memory is to make a life--and even a love--worth remembering.

A radiant escape to the lake from #1 New York Times bestselling author of Every Summer After and This Summer Will Be Different

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I never anticipated Charlie Florek.

Good things happen at the lake. That’s what Alice’s grandmother says, and it’s true. Alice spent just one summer there at a cottage with Nan when she was seventeen—it’s where she took that photo, the one of three grinning teenagers in a yellow speedboat, the image that changed her life.

Now Alice lives behind a lens. As a photographer, she’s most comfortable on the sidelines, letting other people shine. Lately though, she’s been itching for something more, and when Nan falls and breaks her hip, Alice comes up with a plan for them both: another summer in that magical place, Barry’s Bay. But as soon as they settle in, their peace is disrupted by the roar of a familiar yellow boat, and the man driving it.

Charlie Florek was nineteen when Alice took his photo from afar. Now he’s all grown up—a shameless flirt, who manages to make Nan laugh and Alice long to be seventeen again, when life was simpler, when taking pictures was just for fun. Sun-slanted days and warm nights out on the lake with Charlie are a balm for Alice’s soul, but when she looks up and sees his piercing green gaze directly on her, she begins to worry for her heart.

Because Alice sees people—that’s why she is so good at what she does—but she’s never met someone who looks and sees her right back.

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“Beautiful, heart-wrenching, utterly original.” —Miranda Cowley Heller, bestselling author of The Paper Palace

The story of one family told three different ways, leading to three different fates—a dazzling debut that asks: Can a name shape the course of a life?

In the wake of an enormous, history-making storm, Cora sets off with her nine-year-old daughter, Maia, to register her son’s birth. Her husband, Gordon, a local doctor, respected in the community but a terrifying and controlling presence at home, intends for her to name the child after him. But when the registrar asks which name she wants to pick, Cora hesitates . . .

What follows are three alternate and alternating versions of both Cora’s and her young son’s life, shaped by her brave last-minute choice of name. Spanning thirty-five years, the novel draws us in from the first page, as we follow three unforgettable journeys of one young man, but also his mother, grandmother, and sister. In richly layered prose, The Names explores the painful ripple effects of domestic abuse, the messy ties of family, and the possibilities of autonomy and healing.

With exceptional sensitivity and depth, Knapp draws us into the story of one family, told through a prism of what-ifs, and shows us what we each can do with the “one precious life” we are given. The Names’ brilliantly imaginative structure, its propulsive storytelling, and the emotional, gut-wrenching power of the book itself are certain to make it a modern classic.

A Most Anticipated Book of 2025: Goodreads • USA TODAY • Marie Claire • BookPage • Literary Lifestyle • Book Riot • Sunset Magazine • Totally Booked with Zibby Owens

#1 New York Times bestselling author Fredrik Backman returns with an unforgettably funny, deeply moving tale of four teenagers whose friendship creates a bond so powerful that it changes a complete stranger’s life twenty-five years later.

Most people don’t even notice them—three tiny figures sitting at the end of a long pier in the corner of one of the most famous paintings in the world. Most people think it’s just a depiction of the sea. But Louisa, an aspiring artist herself, knows otherwise, and she is determined to find out the story of these three enigmatic figures.

Twenty-five years earlier, in a distant seaside town, a group of teenagers find refuge from their bruising home lives by spending long summer days on an abandoned pier, telling silly jokes, sharing secrets, and committing small acts of rebellion. These lost souls find in each other a reason to get up each morning, a reason to dream, a reason to love.

Out of that summer emerges a transcendent work of art, a painting that will unexpectedly be placed into eighteen-year-old Louisa’s care. She embarks on a surprise-filled cross-country journey to learn how the painting came to be and to decide what to do with it. The closer she gets to the painting’s birthplace, the more nervous she becomes about what she’ll find. Louisa is proof that happy endings don’t always take the form we expect in this stunning testament to the transformative, timeless power of friendship and art.

A REESE’S BOOK CLUB PICK ∙ AN INSTANT #1 NEW YORK TIMES BESTSELLER ∙ Two writers compete for the chance to tell the larger-than-life story of a woman with more than a couple of plot twists up her sleeve in this dazzling and sweeping novel from Emily Henry. 

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Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: to write the biography of a woman no one has seen in years—or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the twentieth century. 

When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. 

One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. 

Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication. 

Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition.

But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room.

And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad . . . depending on who’s telling it.